If you would like to learn playing your favorite songs nice and fast without unnecessary hours spent on theory, notes and other complex stuff, read the instruction, pick one of our tutorials and just start playing! It's really that simple :) At our website you'll find also letter tutorials and articles with advices.
By downloading Playground Sessions (FREE), and connecting your keyboard, you will be able to practice Star Wars Main Theme by John Williams, section by section. With Playground, you are able to identify which finger you should be using, as well as an onscreen keyboard that will help you identify the correct keys to play. You can also slow the tempo way down, which is great for learning a new song. At the end of each practice session, you will be shown your accuracy score and the app will record this, so you can monitor your progress over time.
star war piano score
John Williams is an American composer, pianist and conductor. His career has spanned almost seven decades, he has composed some of the most popular film scores every written. He has won 25 Grammy Awards, 5 Academy Awards, 4 Golden Globe Awards, and 7 British Academy Film Awards. He has also received 52 Academy Award nominations, making him the second most-nominated person after Walt Disney.
Piano Convert relies on artificial intelligence to produce the most accurate result possible. Without guaranteeing a perfectly transcribed score, it is one of the most accurate tools in the landscape of automatic piano transcription.
John Towner Williams KBE (born February 8, 1932)[1][2][3] is an American composer, conductor and pianist. In a career that has spanned seven decades, he has composed some of the most popular, recognizable and critically acclaimed film scores in cinematic history. Williams has won 25 Grammy Awards, seven British Academy Film Awards, five Academy Awards and four Golden Globe Awards. With 53 Academy Award nominations, he is the second most-nominated individual, after Walt Disney. His compositions are considered the epitome of film music, and he is considered among the greatest composers in the history of cinema.[4]
Williams has composed for many critically acclaimed and popular movies, including the Star Wars saga, Jaws, Close Encounters of the Third Kind, Superman, E.T. the Extra-Terrestrial, the first two Home Alone films, the Indiana Jones films, the first two Jurassic Park films, Schindler's List, Saving Private Ryan, Catch Me If You Can, Seven Years In Tibet, and the first three Harry Potter films.[5] Williams has also composed numerous classical concertos and other works for orchestral ensembles and solo instruments. He served as the Boston Pops' principal conductor from 1980 to 1993 and is its laureate conductor.[6] He has been associated with director Steven Spielberg since 1974, composing music for all but five of his feature films, and George Lucas, with whom he has worked on both of his main franchises. Other works by Williams include theme music for the 1984 Summer Olympic Games, NBC Sunday Night Football, "The Mission" theme used by NBC News and Seven News in Australia, the television series Lost in Space and Land of the Giants, and the incidental music for the first season of Gilligan's Island.[7] Williams announced his intention to retire from film score composing after the release of Indiana Jones and the Dial of Destiny in 2023 to focus more on composing independent orchestral and symphonic pieces, though he later rescinded this.[8]
In 2005, the American Film Institute selected Williams's score to 1977's Star Wars as the greatest film score of all time. The Library of Congress entered the Star Wars soundtrack into the National Recording Registry for being "culturally, historically, or aesthetically significant".[9] Williams was inducted into the Hollywood Bowl's Hall of Fame in 2000, and he received a Kennedy Center Honor in 2004. His AFI Life Achievement Award in 2016 was the first to be awarded outside of the acting and directing fields. He has composed the score for nine of the top 25 highest-grossing films at the U.S. box office (adjusted for inflation).[10] His work has influenced other composers of film, popular, and contemporary classical music;[11] Norwegian composer Marcus Paus argues that Williams's "satisfying way of embodying dissonance and avant-garde techniques within a larger tonal framework" makes him "one of the great composers of any century".[12]
In 1948, the Williams family moved to Los Angeles where John attended North Hollywood High School, graduating in 1950. He later attended the University of California, Los Angeles, and studied composition privately with the Italian composer Mario Castelnuovo-Tedesco.[17] Williams also attended Los Angeles City College for one semester, as the school had a Studio Jazz Band.[18] In 1951, Williams joined the U.S. Air Force, where he played the piano and brass and conducted and arranged music for the U.S. Air Force Band as part of his assignments.[19][20] In a 2016 interview with the U.S. Air Force Band, he recounted having attended basic training at Lackland Air Force Base, after which he served as a pianist and brass player, with secondary duties of making arrangements for three years. He also attended music courses at the University of Arizona as part of his service.[21][22]
In 1955, following his Air Force service, Williams moved to New York City and entered the Juilliard School, where he studied piano with Rosina Lhévinne.[17] He was originally set on becoming a concert pianist, but after hearing contemporary pianists like John Browning and Van Cliburn perform he switched his focus to composition.[23] During this time Williams worked as a jazz pianist in the city's many jazz clubs.
Williams was also a studio pianist and session musician, performing on film scores by composers such as Jerry Goldsmith, Elmer Bernstein, Leonard Bernstein, and Henry Mancini. With Mancini he recorded the scores of 1959's Peter Gunn, 1962's Days of Wine and Roses, and 1963's Charade. With Elmer Bernstein, he performed on the score of Hecht-Hill-Lancaster's Sweet Smell of Success. Williams plays the piano part of the guitar-piano ostinato in the famous Mancini Peter Gunn title theme.[25][26] On the Peter Gunn soundtrack, he collaborated with guitarist Bob Bain, bassist Rolly Bundock, and drummer Jack Sperling, many of whom were also featured on the Mr. Lucky television series. Williams was the pianist for the soundtrack for the adaptation of Leonard Bernstein's West Side Story[27] and the 1960 film The Apartment.
He soon gained notice in Hollywood for his versatility in composing jazz, piano, and symphonic music. Williams received his first Academy Award nomination for his score for 1967's Valley of the Dolls and was nominated again for his score for 1969's Goodbye, Mr. Chips. He won his first Academy Award for his score adaptation for the 1971 film Fiddler on the Roof. In 1972, he composed the score for the Robert Altman-directed psychological thriller Images (recorded in collaboration with noted percussionist Stomu Yamashta), which earned him another nomination in the category Best Music, Original Dramatic Score at the 1973 Academy Awards.[36] Williams's prominence grew in the early 1970s thanks to his work for Irwin Allen's "disaster films." He wrote the scores for 1972's The Poseidon Adventure and 1974's The Towering Inferno. He scored Universal's 1974 film Earthquake for director Mark Robson, completing a "trinity" of scores for the decade's highest-grossing "disaster films", and the 1972 film The Cowboys, a western starring John Wayne and directed by Mark Rydell.[37]
In 1974, director Steven Spielberg approached Williams to compose the music for his feature directorial debut, The Sugarland Express. They teamed up again a year later for Spielberg's second film, Jaws. Widely considered a classic suspense film, its score's ominous two-note ostinato has become synonymous with sharks and approaching danger. The score earned Williams his second Academy Award.[36] Shortly thereafter, Spielberg and Williams began collaborating on Spielberg's next feature film, Close Encounters of the Third Kind. During the two-year collaboration, they crafted its distinctive five-note figure that functions both in the background music and as the communications signal of the film's extraterrestrials. Williams also used a system of musical hand signals in the film that were based on hand signs created by John Curwen and refined by Zoltán Kodály.[38] In 1975 Clint Eastwood chose Williams to score his classic climbing film The Eiger Sanction.
Williams scored the 1976 Alfred Hitchcock film Family Plot. Williams did not much like the film but did not want to turn down the chance to work for Hitchcock. Hitchcock merely told him to remember one thing, "Murder can be fun." Hitchcock was very satisfied with the result. Williams worked with director Richard Donner to score the 1978 film Superman. The score's heroic and romantic themes, particularly the main march, the Superman fanfare and the love theme, known as "Can You Read My Mind", appeared in the four sequel films.
For the 1981 film Raiders of the Lost Ark, created by Lucas and directed by Spielberg, Williams wrote a rousing main theme known as "The Raiders March" to accompany the film's hero, Indiana Jones. He composed separate themes to represent the Ark of the Covenant, the character Marion, and the story's Nazi villains. Additional themes were featured in his scores to the subsequent Indiana Jones and the Temple of Doom (1984), Indiana Jones and the Last Crusade (1989), and Indiana Jones and the Kingdom of the Crystal Skull (2008). Williams composed an emotional and sensitive score to Spielberg's 1982 fantasy film E.T. the Extra-Terrestrial, for which he was awarded a fourth Academy Award.[36] 2ff7e9595c
コメント